some general chat about anything and everything
Viewing entries in
Film
Check out the Tropfest 2014 Winner - Granny Smith - while you're at it, check out all the finalists, there's some excellent short film action to be had.
The Grandmother of all excuses Directed by Julian Lucas. Produced by Nicholas Cox. Subscribe to Tropfest: http://bit.ly/SubscribeTropfest Produced for Tropfest Australia 2014, TSI: Mirror Follow Tropfest on Social: Facebook: https://www.facebook.com/tropfest Twitter: https://twitter.com/TROPFEST
Combining two of my favourite passions, architecture and film - check out the views and the slide.
http://www.buildpictures.com A unique architectural vision comes to life in a turn-of-the-century New York City skyscraper. Producer-Director-Editor • Jonathan Robinson Director of Photography • Ben Wolf with the RED EPIC Original Music • CurioSound Choreographer & Figure • Lily Baldwin Architect • David Hotson Designer • Ghislaine Viñas Builder • SilverLining Interiors
Some great tips for thinking about the edit when shooting
After shooting and editing for a while, I've come to really respect both skills. I think more shooters should learn each and learn how to think like an editor when shooter. Check out this tutorial for 7 Tips to shoot more like an editor. More info and links here: http://dslrvideoshooter.com/shoot-like-an-editor-7-tips-that-will-make-you-a-more-valuable-shooter
I've been busy recently and so I thought I would share a project I am working on that uses Final Cut Pro X, VDMX and 7 projection areas.
I am working on a community project that requires the editing of 30 interviews each which took about an hour+ to film, using one, two or three cameras, with associated audio that are to be combined with live music, live dance, live performances (writing, poems, speech) and seven projections (one projector mapped to five separate areas, with one live moving area and one other fixed projector).
I am working with Peter Keelan and we are editing in FCP7 and Final Cut Pro X. We are producing separate movie files for each projector mapping (up to 7 for each scene) which are then live triggered/remapped using VDMX/Mad Mapper (new to this part so not sure if this is all technically correct). We have about 800GB of footage before starting to edit into the separate movie files. The deadline for the rough cut is 3 weeks away!
